Dynamic Creative Process
Iona Miller's CREATIVE PROCESS
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This site summarizes work on CREATIVITY and EXTRAORDINARY HUMAN DEVELOPMENT and potential by Iona Miller with her mentors, friends and colleagues, including Dr. John Curtis Gowan, Dr. Stanley Krippner (California), Dr. Paul Wildman (Australia), Dr. Marshall Gilula (Miami), Dr. Paul Henrickson (Malta), Professor E. Paul Torrance, and other creativity experts.
Iona Miller is a creative geyser -- a writer, hypnotherapist, and multimedia artist whose specialty is extraordinary human potential. She continues the work of her mentors (Dr.Stanley Krippner and Professor John Curtis Gowan) in trance, art and creativity by promoting deep understanding of the complex territory of human expression. Creativity is a combination of drive and flow and she embodies this thesis in her own creative behavior and professional performance. Art is a flow state.We cover taxonomies or maps of consciousness, creative typology, healing, ontological and epistemological notions of creativity--from first causes to root metaphors--cosmic creativity and personal creativity, including how we know what we know and how to use that to heal with metaphor therapy. Healing is a form of creativity.
Consciousness is a dynamic field that has the dual aspect of primordial process and appearance. Process is conscious dynamic energy. Process and perception lead to an understanding of appearance. Our consciousness oscillates at the fundamental level between the inherent drive for change and our attempt to maintain identity and stability.
Higher art must be intensely personal while being universal and universally accessible. It must show refined knowledge, understanding and respect for the art that has come before to enrich those around us. Much the same can be said for an artfully and heartfully lived life. We can apply a similar strategy to our spirituality, drawing on the best of what the past offers while keeping our practice and service contemporary and relevant. Our lives become multidimensional artful expressions without frames, embodied in living Light. Process-oriented spirituality is eclectic and intensely personal.
The connection we have with the inspirational Source that nourishes creative life is the same source that sustains our spirits and funds our compassion. It is a deep well from which we can drink at will, the abundant lifesprings of our essential being. The Romantics, arguably beginning with Blake, turned art into a kind of substitute for religion. The East emphasizes a mystical-magical orientation, the West a humanist-rationalist POV. Romanticism is an essentially gnostic spirituality, a Mystery religion. But now there is no intergenerational priesthood to have our visions for us; we have them for ourselves.
Rather than anti-scientifically considering cognition and technofacility an anti-artistic dirty little secret, digital art and multimedia embrace the fusion. There is no Romantic terror of human cognition nor need for anti-technical transcendence with direct interface on the horizon. Knowledge is power...over yourself. Mind your mind; control yourself with self-awareness and self-responsibility. There is no artificial distinction between the pursuit of knowledge and self-knowledge and aesthetics. Beauty is an affair of the heart but speaks to our whole being.
CREATIVITY: The Nature of the Creative Process
The cartography of the psyche is linked to the process of self-discovery in Trance, Art and Creativity. Understanding increases along with creative organization. Taxonomies of consciousness, from ancient Kabbalah to those of Ken Wilber shed light on the developmental process and our place and expression within the creative field. One gains in ability to combine the familiar in new and innovative ways. To be truly creative requires at least four traits according to Fromm: "capacity to be puzzled, ability to concentrate, capacity to accept conflict, and willingness to be reborn everyday."
Maslow extended creative traits to include "spontaneous, expressive, effortless, innocent, unfrightened by the unknown or ambiguous, able to accept tentativeness and uncertainty, able to tolerate bipolarity, able to integrate opposites." Whelan (1965) added, "energy, autonomy, confidence, openness, preference for complexity," etc. Creativity also brings a sense of destiny and personal worth. This brings a sense of joy, contentment and acceptance of self, which show its transformative ability. Creative people, who accept themselves, also have the further ability for compassion or brotherly love, (agape).
Gowan concludes that "creativity has a holistic quality, which restores the balance between right and left hemisphere function, between analog and digital computer aspects of thinking...Man's mind is a device for bringing infinite mind into manifestation in time; creativity is the commencement of this actualization."
Like fractal patterns emerging on the computer screen, no process-oriented therapist can fail to notice the aesthetic beauty of the unfolding process of the creative imagination. Experiential psychotherapy facilitates the participating, rather than observing self. Therapy is an art, and as such, it yields esthetic and physical pleasure as by-products. When the therapist joins with the participant, rather than remaining "objective observer", a co-creative shared reality emerges.
This shared reality is more than mutual hypnosis, or shared subjectivity. It is a virtual world that is essentially an artistic, expressive form--a "living form." Art embodies imagination. A work of art is an expressive form created for our perception through sense or imagination, and it expresses human feeling. A work of art expresses a conception of life, emotion, inward reality--the logic of consciousness itself.
The therapeutic art is designed to elicit a full response: sensuous, intellectual, and emotional, not separated but interfused. It has an air of intimacy, of immediacy. The fullness of presentation matches the fullness of response--yielding a sense of lived experience--personal experience. Like art, experiential therapy is inherently humanistic--concerned with human feelings and values. It helps us embody those values, and the nature of beauty.
Beauty is an emotional value which affects our volitional and appreciative nature. It is not inherent in any thing, but is our own pleasure regarded as the quality of a thing or event. It is neither intrinsic nor objectified. It is the first-hand experience of a state of consciousness. It may not be in the eye only, but beauty is in the beholder. Yet the beholder doesn't stand on the outside looking in, but becomes the object of contemplation. When the focus of contemplation is the self, a complex feedback loop manifests of self contemplating self manifesting self, contemplating self.
The therapeutic art is designed to elicit a full response: sensuous, intellectual, and emotional, not separated but interfused. It has an air of intimacy, of immediacy. The fullness of presentation matches the fullness of response--yielding a sense of lived experience--personal experience. Like art, experiential therapy is inherently humanistic--concerned with human feelings and values. It helps us embody those values, and the nature of beauty.Beauty corresponds with healing, creativity, genius, and bliss states or unitive experiences.
Art had its origin in magic. It is the path of transcendence from personality to Self, through the Middle Way. Art is the explication of the transformative process. Through art, common experience is transformed to archetypal, timeless experience. Art is nature transformed. Art shapes our perception of things outside ourselves, and embodies the workings of inner life.
Archetype, ritual, myth, and dream are other manifestations of this same parataxic mode, as is expressive therapy. It is characterized by the production of images who meaning is not clear or categorical (Gowan, 1975). In parataxic mode, symbols or images are used in a private or idiosyncratic manner. Through art, they can be shared with others, expressing feeling and transmitting understanding. In contrast, in the creative mode (Tiphareth) meaning is more or less fully cognized symbolically, with ego present.
The dynamic union of chaos and order is symbolic of our human process of transformation: old outworn forms break down (ego death), and that chaos is fertile ground for creative rebirth, rejuvenation. This Royal Wedding means nothing less than finding the lost soul--the alienated part of oneself which we normally call "Not-I." Soul retrieval is healing.
CREATIVE INNOVATION
Disseminating Social & Scientific Innovations
SCIENCE-ARTIFICER GUILD Int’l
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"Each of us is our own greatest creation, a frameless work of art. What doesn’t inspire the artistic eye that doesn’t merely “look at”, but “sees through” to the imaginal depth of any given perception or experience? The soul informs the multisensory experience of being. Inspiration means life, the opposite of death: purpose, direction, meaning, ecstasy, creativity." -Iona Miller
* Changing your mind because of emotion is faith.
* Changing your mind because of thinking is philosophy.
* Changing your mind because of facts is science.
* Changing your mind because of manipulation is mind control.
IONATOPIA PORTALS 2008
I now have three main Homepages with menus, because I've had to move on as each filled to capacity. The original is
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My portals each contain one main subject and are compilations of my writing on those topics.
NEW SITES:
CREATIVE PROCESS
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SPIRITUAL ALCHEMY
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THE MODERN ALCHEMIST
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MAGICAL PERFUME BOOK
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~SUPER SCIENCE~
Spiritual Physics
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Virtual Physics
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My Zero Point
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Photonic Human
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EmBEDded Holograms
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Psiona Parapsychology
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Beyond MK Ultra - MRU
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Climate 2012
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Neurotheology
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Paramedia Ecology
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Biophysics
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Iona Brainstorm
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Electronic Voice Phenomena
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Espionage Central
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Occult Espionage
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Mind Control for Dummies
mindcontrolfordummies.50megs.com
Bacon is Shakespeare
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Triangle Book of St. Germain
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~SOUL SUPPORT~
Conscious Alchemy
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Creativity
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Chaosophy Journal
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The Modern Alchemist Book
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Temple of Living Light
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Emergent Healing
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Edgeworks Hypnosis
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Mythic Living
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Harmonic Continuum
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Synergetic Qabala
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Magical Perfume Book
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Energy Psychology
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Dreamhealing Book
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Spiritual Alchemy SuperPortal
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We all know that art is not the truth, art is a lie that makes us realize the truth. ~Picasso
~IO ART~
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Iona Miller
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ESPIONAGE SERIES
The Spywhisperer
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Espionage Central
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Occult Espionage
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Mind Control for Dummies
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Beyond MK Ultra - MRU
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Psiona Parapsychology
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Paramedia Ecology
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Ionatopia
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Csikszentmihalyi's message, FINDING FLOW, encompasses an inspiring and challenging truth: that "it is how we choose what we do, and how we approach it, that will determine whether the sum of our days adds up to a formless blur, or to something resembling a work of art."
"It is useful to know that the members of the young tribal horde are not the victims of a conspiracy nor are they prompted by any theories…their organs of perception have been altered by the electronic environment" (1). -McLuhan, "Tribal warfare in the 1970's" – manuscript.
"In a sense, artists are creators of counter-environments. They provide society with analogical models which enable them to escape from their unconscious immersion in their environment. So also with critics. They are the last frontiersmen." - Eugene McNamara, Editor's Introduction to The Interior Landscape: The Literary Criticism of Marshall McLuhan 1943-1962, p.182
"While in the process of executing an idea, creativity happens not with one brilliant flash but in a chain reaction of many tiny sparks." -R. Keith Sawyer
"Stay young by taking inspiration from the young in spirit who remained creatively active all their lives: Goethe completing Faust at 80; Titian painting masterpieces at 98; Toscanini conducting at 85; Justice Holmes writing Supreme Court decisions at 90; Edison busy in his laboratory at 84; and Benjamin Franklin helping to frame the American Constitution at 80." -- Author Unknown
It is difficult to separate spirituality and creativity, as both are tied to the notion of self actualization, stepping beyond oneself, transcendence. Creativity is viewed to have universal meaning that extends beyond time and self. Creative activity combines the energies of feelings imagination and thought. Some believe that the approach of one’s end of life actually stimulates creativity with increased urgency, intensity and energy.
Roots of Artistic Expression
ART
Art expresses feelings and understanding. It is the fulfillment of sensation in an audible or visual form. It is an expression of an archetypal process in relationship with life. Art is philosophy expressed in symbols and imagery. For the sensation function, art serves the same purpose that science does for thinking. Other analogies for art include philosophy and psychology for the intuitive function, and the emotions of human society for feelings.
The characteristic procedures of the Parataxic Mode include archetype, dreams, myth, ritual, and art. Art forms include dance, drama, music, painting, ceremonial magick, alchemy, perfumery, sculpture, poetics, etc.
Art is a kind of innate drive that seizes a human being and makes him its instrument. The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purposes through him. As a human being he may have moods and a will an personal aims, but as an artist he is "man" in a higher sense -- he is 'collective man' -- one who carries and shapes the unconscious, psychic life of mankind.
--C. G. Jung
Art embodies a rhythmic flux of the psyche through a process, performance or a "product." The artist combines his technical skill or craftsmanship with the constraints of his artform. Thus, the creation is not merely the production of his free will, but also reflects the discipline imposed by training and materials. As such, art is the result of a unique combination of consciousness, or cognitive abilities, and subconscious drives or inspiration.
In the Parataxic Mode, there is progressive replacement of Prototaxic dread with creativity in the service of archetypal patterns. If the artist has talent, his works also take on collective, as well as personal value, and reflect the transformative process in society. It frequently happens that artists are "ahead of their time", in that their work receives no wide recognition in their own lifetimes. Yet, great art has an ageless quality.
Jung distinguished between two types of artistic creation. He termed one of these psychological and the other visionary. The psychological mode draws its inspiration from the phenomena and lessons of life, or human experience (such as life drawing). The visionary mode, on the other hand, contains something of the Divine, and its subject matter is definitely out-of-the-ordinary. Terrific modern examples include the work of Mati Klarwein, H. R. Giger, Alex Grey, Gilbert Williams, and Robert Venosa.
One distinction between the two lies in the degree of psychological activity or passivity of the participant. In the first mode, the artist "thinks up" and develops the forms pretty much on his own, even it is emergent. But in the visionary mode his own will seems to defer to an apparently foreign inspiration, and it can feel like it simply comes through of its own will. There may be an element of passivity in both modes, but in a visionary experience it is more pronounced. Visionary art is also generally considered more profound.
"Art" is most properly considered as a process, not a product, though it results in artifacts often valued by society. The transformative process can be as strong during the creation of an unskilled or underappreciated piece as for a master-work. It is all relative. Even the performing arts, which were previously exempt, may now be preserved through recordings and film. John Gowan has classified the arts in a scale of increasing order from performing arts, to visual arts, to compositions in mathematics and music (which are Syntaxic in nature), and finally verbal creativity.
This does not imply that one form is better or "more advanced" than another. But it is an aid in determining nuances of the creative process.
HOMO LUMEN:
Self-actualization was defined by Maslow as the act of manifesting the capabilities for which one had the potentiality. The structure of our language predisposes us to think in terms of those who finally reach self-actualization, as contrasted with those who merely get to the vestibule of the mansion and wait. But like other more mathematical limits, self-actualization is better measured by the differential than the functional. Hence, a better way of conceptualizations is to look at the process, not the end product, and to distinguish those in which the process is wholly developed as self-actualized.
In discussion of the sixth (creative), seventh (psychedelic), and eighth (illuminative) cognitive stages, we are on new and insufficiently explored ground; hence, the reader must be prepared for some confusion in terms. Here the phrase "self-actualization" will be used indiscriminately to refer to operations at all three levels. Actually, the upper reach of the continuum from the stage of creativity onward is open ended, for once an individual reaches the creative stage cognitively, his conscious mind is opened and enlarged, and he gains new horizons and options. The theory of stages becomes much less significant than the study of the process, and for all we know, looking at the system as it were from below, there may be advanced stages or processes that we cannot yet conceive.
We have tried to make tentative identification of the three advanced stages - the sixth or creative, the seventh or psychedelic, and the eighth or illuminative. The creative stage has been well described in the literature. The psychedelic is just now being described in the literature of psychology (Tart, 1969), though it has long been known in the literature of mysticism. The eighth stage is still pretty much unknown territory. Although we can say little about the cognitive processes of the final stage, those processes which are occasional and transitory in the psychedelic period become habitual and fixed in the eighth stage, and thus the doors or barriers between the conscious and preconscious are done away with almost entirely. This stage or process may be referred to as "integral," since the person is truly "whole" or "holy."
Alchemy begins and ends in the quest for eternal life. It is a spiritual art and technology of rebirth using natural methods that in their effect transcend nature by amplifying that which is immortal within us. It does not exist in nature but must be prepared by Art. Art is a form of manifesting, making and objectifying the world - spiritual physics. Artists and mystics are aware of their own internal space and thus able to enter it, playing the mindbody like a musical instrument. Looking inside, they see the true nature of reality and can express that literally and symbolically. We all possess the creative potential. All creative acts are a marriage of spirit and matter, reaching down into the body as the source of our essential being and becoming. Today, we might describe this resonance as accessing energy that regenerates the mindbody. Healing is an aspect of creativity; nature is within and without us. The Magus does not dominate reality but develops embodied psychophysical equilibrium, clarity, wisdom and compassion. Creative work originates in the body and is projected out into the world. The projections are then internalized into awareness. The bodymind of the artist is an alchemical vessel containing the creative flux and lux during the process of transformation. Awareness and consciousness form a continuous alchemical movement. The creative gold is generated and embodied in the alembic of the mindbody. The mindbody is the same substance as the Cosmos and contains and reveals its mysteries. Alchemy reduces all to the first state, the ground state of being - original experience that is timeless, infinite. The classical Void, the quantum vacuum is a carrier of information. The energy body or the field body, along with the scalars of our holographic blueprint, connect us directlywith the negentropic potential of the zero-point field. Radiant light literally emerges from this mystic void. Primordial structuring processes are common to both psyche and matter, working in the gap or empty interval between intention and action. So, alchemy refines the way the mindbody generates and processes inherent light as medicine. It refines the aspirant's ability for tapping and amplifying Medicine Light. This primordial state is the luminous ground of our being, hidden deep in the heart of things. All other goals are subordinate to this prime directive which includes meditative techniques for continuing consciousness after death. This Philosopher's Stone is also the Universal Medicine, the regenerative Elixir of Life. The greatest mystery is Life After Death: we don't die but continue in transcendent form. This is the secret of man and nature.
Author, Iona Miller
Iona Miller, consultant and transdisciplinarian, is a nonfiction writer for both the academic and popular press, hypnotherapist (ACHE) and multimedia artist. Her work is an omnisensory fusion of sacred activism, intelligence, science-art, chaos theory, plenum physics, and emergent paradigm shift melding experiential psychotherapy, new physics, biophysics, philosophy, cosmology, healing, creativity, qabalah, magick, paranormal, "dirty tricks," media ecology, mind control, paramedia, metaphysics, and culture change. Rather than having an interest in specific doctrines, she is interested in the EFFECTS of doctrines from religion, science, psychology, and the arts. Our beliefs are the moldable raw material of the psyche, manipulated by governments, media and culture. How do we become what we are and how is that process changing in the near future?
Performance artist and spywhisperer, Ms. Miller is published by Phanes Press, Destiny Books (Inner Traditions), Autonomedia, Nexus Magazine, Dream Network, PM&E, Journal of Nonlocality and Remote Mental Interactions (JNLRMI), Chaosophy Journal, OAK, DNA Monthly, Pop Occulture, Schiffer, Bolero, Science-Art Research Centre, and more. She is a Gaia.com Ambassador and serves on the Boards of Medigrace.org, and The Wisdom Center, nonprofit organizations. Recent contributions include print articles in Der Golem (Germany), Paranoia zine #44, #46 (USA), HunterGatheress Journal I and II, JNLRMI (Russia), Antibiothis (Portugal), The Art of Fetish (Miami), and Journal of Interdisciplinary Crossroads (India). Her artwork has shown in Miami, Phoenix, New York, in magazines and more. She has appeared in 21st Century Radio, Untamed Dimensions, Reality Portal, Digital Long Island, etc.
"All are lunatics, but he who can analyze his delusion is called a philosopher." - Ambrose Bierce (1842-1914)
I now have three main Homepages with menus, because I've had to move on as each filled to capacity. The original is IONASPHERE 2000: ionamiller.org 2000-2007 is here 2008 and full menu is here My portals each contain one main subject and are compilations of my writing on those topics. Global culture is my medium. Global Architectronics Hermann Hesse not only wrote the classic introspective novels Siddhartha and Steppenwolf, but won the Nobel prize in Literature (1946) for his final masterwork published under two titles in English: The Glass Bead Game or Magister Ludi. This work (set in the 23rd Century) describes a cadre of individuals and their headmaster -- the Magister Ludi -- engrossed in interdisciplinary play engineering cultural values from behind the scenes. Hesse never forthrightly explained just how the game is played, but gave many hints to its structure for future aspirants seeking solutions to the critical predicament of mankind through Global Architectronics. The Glass Bead Game requires that its players synthesize aesthetics and philosophy. The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colors on his palette. The Game's synthetic, non-linear information play is a forerunner of virtual reality. After each symbol conjured up by the director of a Game, each player was required to perform silent, formal meditation on the content, origin, and meaning of this symbol, to call to mind intensively and organically its full purport. The members of the Order and of the Game associations brought the technique and practice of contemplation with them from their elite schools, where the art of contemplation and meditation was nurtured with the greatest care. The variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Thus, "realizing" was a favorite expression among the players. They considered their Games a path from Becoming to Being, from potentiality to reality...We would scarcely be exaggerating if we ventured to say that for the small circle of genuine Glass Bead Game players the Game was virtually equivalent to worship. The name Castaglia, the place of knowledge, is the Italian form of the Latin Castalia, which was the Roman name for the spring on Mount Parnassus where dwelt the mythical Muses. Castalia was also the name for the abstract realm of the intelligentsia. Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Let the game begin.
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WHAT'S THE MATTER? We need to learn the art of living well, instead of living better. This means alignment of our physical, emotional, mental and spiritual lives. We can root out the disturbances of the past and transform them into assets, or strengths. We can remove the incongruencies of conflicting agendas in our belief systems and their fallout - our feelings. When we change our attitudes about ourselves and our past, we initiate a cascade of neurological changes that cover all four domains of our being. We can cultivate deeper awareness. The mind can change what "matters".
ANCIENT/FUTURE METASYN: We can take responsibility for our bodies and health, reclaiming our inherent shamanic, yogic and psychosomatic self-healing power. This alone changes our compassionate spiritual relationship to self, others, and universe. The old-yet-new healing paradigm includes non-material but highly-effective shamanic, psychic and spiritual tech that can be applied effectively in any cultural context. Mind is more than a powerless prisoner of the body. It has the power of focus, committed attention and intentionality. Take responsibility for you own healing and well-being, of your own life, the self-organizing power of your own hyperdimensional organism.
CHANGE N A HEARTBEAT: The average heart beats 2 billion times and you can change utterly in any one of them. Reclaim your innate capacity for changing the cellular, subatomic, and psychophysical processes of your energy body. WHAT you THINK and the excitation level of your overall system changes your chemistry, markedly. We are fluid fields, through which energy and matter dynamically flow and change. Lifestyle, diet, emotional state and consciousness play a huge role in health and disease. We can catalyze our psychophysical homeostasis and spontaneous healing processes, complementing any traditional care we may require.
SELF-IMPROVEMENT: Who says Life is Fair? If there is no Justice, maybe, there is JUST US. Directed self-motivation is one of the greatest gifts you can give to yourself and it can be learned. YOU HAVE THE POWER - the power to focus your attention where it will do the most good, the power to create instantaneous change in your moods, attitudes, and feelings. Through subtle, disciplined techniques you can do it by connecting with the creative Source. CONSCIOUS ALCHEMY means changing the psychological Lead of your unrefined personality into the Gold of creative self-fulfillment. Every day is a Vision Quest.
